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"I am a native of the Soviet Union in what is today Ukraine. I was a huge fan of drawing when as I was , and later was awarded numerous distinctions. As a teenager, I took the choice of studying economics as a subject to major. I was not content by working in a dirty office. Then, I took the decision to create a mark in the field of art with a compassionate approach that eventually led me to the art course that was offered by Konrad Klapheck at the Art Academy of Dusseldorf. After that, I was able to take lessons from Shirin Neshat who is an instructor originally from Salzburg."
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"Making my work is among the most efficient ways to create worlds with unimaginable dimensions as well as fantasies.
Pictures that are surreal and with fascinating pattern and the feeling these are the things that I like to think about and snap photographs of. Naturally as a child I was in my early days, as many who do, I was fascinated by all the things I saw surrounding me. At some point, I started to feel unhappy with how I was seeing many of the most well-known photos.
To create every artifact, variation and variation that is not yet discovered by me, is what has inspired me to design completely brand new worlds."
What's your most preferred design style?
"Bioism. Biofuturism. Paradise Engineering. Bioethical Abolitionism. My day-to-day reflections and quote include:
Bioism , sometimes referred to as biofuturism is the process I have undertaken to develop bio-inspired living beings which have an aesthetic that is in tune with the evolution of living organisms. Bioism can be described as an art form of making artifacts that demonstrate the creative possibilities of the synthetic biology system. Bioism refers to the technique of making art using the power of living things as well as the range of possibilities. Each piece I make, I see as living , life-like objects. Bioism breathes life into dead subject matter.
I'm certain that in the near future as we progress in the evolution of our globe and the growth of our planet, it will be packed with furniture for living that is able to live in living spaces, as well as travel through the living space. Designers are keen to develop life-like objects that create unique forms. The art's expression can be inspiring and provide emotions that were created. It could also be a supernatural response that artworks generate towards the creators of them along with the wider world surrounding the art. Future art museums might become galleries, as well as botanical gardens. They can be turned into workshops, funds to support biodiversity and bio-labs.
Bioism is an idea designed to promote the creation of unique and endless types of life in the world. Paradise engineering is a technological breakthrough within bioethics ...
My personal view, can't be manufactured, as I live and bear the obligation of dealing with the issue."
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What's the primary thing that will enable you to build your own system?
"I attempt to steer clear geometrical primitive designs. My aim is to stay clear of straight lines or lines in general, to the amount that's feasible. I'm looking to discover the intersection between the macro and micro in an established procedure.
Any thing that's unclear, difficult or unclear will be immediately recognized by our senses as living or organic. Biology is the most complex and intricate information processing system that exists on Earth."
The area could also serve for a formal place. Do you have the desire to create a space?
"It depends on your beliefs system, your worries are causing or the amount of doubt you experience about your relationship to the world around you. Personally, I'm unaware of the notion of space and time , or of the amazing possibilities it has to offer. If I'm at the right place, I'm just like many children that are interested in a huge and fascinating play space with a capacity to talk.
My goal is to respect the art of painting, but I try my best to be aware of its enjoyment aspects. In addition, I like communicating with God. Similar to the XXL type of telephone booth which you can chat with or take a moment to be able to hear and laugh."
Which portion of you is in charge of the entire process of creation? How many of the processes that are involved in creation can be attributed to nature?
"Controlling chaos can be the most difficult task. My eyes and ears constantly checking to determine if I have the possibility of hearing a brand new, exciting track and also for the kind of music that is appealing to me which expands my thinking and the sensitivity that my brain has. It's not an easy job with mining machines that take interesting stones, and dumping tonnes of garbage with a dull future on your shoulders. This isn't my style.
My passions often combine with other pursuits to provide greater than just making a pleasant sound and a stunning and amazing end result. One of the most fun aspects of the job is drawing the image of the future and contemplating the possibilities. There are instances that you are thinking about this notion, even at night in the bed. The more I think about and create and design the more content I am and the more chaos is my environment and my bioism is expanding."
Do you have creative talents that is having fun? Are you willing to master some more? Like mediation, or even communicating to yourself in the middle of your vulnerable state?
"Drawing could be an opportunity to reflect. Additionally, I draw while I'm trying to determine what I can inspire myself , as well as the different ways that my life will become inspiring for me. I contemplate every possibility that might arise along the enigmatic road. Sometimes, it's hilarious and sometimes, when I'm feeling a little more exuberant I'm about to make impressions. image."
Why did you choose bioism? Did you test it before you made your choice?
"The first steps were rather normal: I remember how happy I was about my half-drawing-half-painting of the tractor in the field for which I was praised in kindergarten.
Over the next few decades I became interested in sketching landscapes, where I would sit in grass for long durations and take the time to draw movement from nature on paper. Once I had completed my working day, I made portraits. If I became unhappy or angry at the dull face that was reproduced (including videos and photos) I didn't move. After I stopped, the egg's shell broke. My egg broke, and I was transformed into the form of a dragon (or Godzilla). It meant I was closer to discovering the mysteries of the universe. Why is this? This post is not just a chance to look over previous versions. It's an opportunity to show the most current version. This was the day I began to write about bioethics, bioism and my bioethics and bioism."
As I looked on your IG I thought you could consider being concerned with the needs of homeless people who reside on the streets of LA...
"But this wasn't the most perfect story as it was cold on the streets and those that were on their own would not resist one touch as well as to listen to the tale of Christmas, as told by the bioism's new born, as well as to interact with the small blue characters of the tale.
The utter poverty visible on the beaches of Hollywood may trigger a fresh perspective. The need to think about bio ethics in the framework of Diogenes of Venice."
For additional information on his work, and to find out more comprehensive detail on bioism visit his profile on his Instagram. Follow his activities through Instagram and his current installation at his work in the Cathedral of St. John the Divine in New York.
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